The Korean Webtoon Market that Japanese Serial Writers Think of

(1)The Korean Webtoon Market that Japanese serialists think about
(2)36668 views recommended 727 comments 536
(3)Before, a Japanese cartoonist came from the Cartoon Promotion Agency to do a seminar, and I was a panelist
(4)Some would-be cartoonists asked me this question
(5)They asked which one is better since I’m doing it in both Japan and Korea
(6)I definitely said that webtoons are better
(7)It’s right for people in Korea to do webtoons
(8)Manga Scene is more than you can imagine It’s really hard
(9)If there’s no response, it’ll be cut off right away
(10)In the case of NAVER webtoons, even though you pay a lot of money
(11)You have the number of pieces of convenience
(12)That’s unimaginable in Japan
(13)It’s hard to get in even if I’m in a magazine that I’m in right now
(14)It’s really hard to pray
(15)If you don’t respond, you’ll get fired right away
(16)If there’s no response when you go in, you’ll get 6 episodes or a book
(17)It’s cut off before you even cut it
(18)In addition, Japanese publishers have been drinking water for a long time
(19)If you get hungry, you’ll get pointed out right away
(20)To put it extremely, the Korean webtoon scene runs the platform
(21)I don’t think it’s right to say that it’s the warmth of people
(22)It’s a market that’s controlled by their minds
(23)For example, I do publishing cartoons in Japan, so I get a royalty
(24)The writer gets 10 for the royalty
(25)The writer will take 70 for the webtoon It’s the opposite. Korea and Japan
(26)I think someone created this environment This is the environment where you run a webtoon
(27)You made it
(28)It’s purely their intention If you look at it, I’m continuing a series of webtoons
(29)Those of you might think it’s silly
(30)I think he’s dissatisfied with doing this
(31)Of course, it’s hard to publish a series of webtoons But they give me 70
(32)There’s no field where you’re treated like a webtoon artist
(33)Books and novels that you know
(34)All of these people are 10. All of them are 10
(35)Musicians, look at this What’s 10? What’s the percentage of zero
(36)But there’s one more thing This is the UCC market. Through Vedos
(37)It comes up like this
(38)Gatekeeping is popular among readers, not professionals
(39)There’s no condition to become a professional writer in Korea
(40)There’s no market like this in the world Korea is really heaven
(41)Cartoons are paradise in Korea
(42)I never imagined that there would be an amazing market
(43)It’s a heaven here
(44)No one’s doing gatekeeping. It’s over as long as you gain popularity
(45)Then you can become a professional without looking at anyone
(46)And the profit is 73
(47)I know how to draw and write a story. It’s basically a cartoon
(48)If you’re interested in something
(49)It’s crazy not to do a webtoon
(50)And this is the endless blue ocean
(51)So, writers like me who have had a long career in Japan are also interested in it
(52)You’re going to jump
(53)I told Japanese artists that the market is organized like this and Korea
(54)If a writer wants to make a profit from a national transplant
(55)Japanese writers don’t believe it
(56)I don’t really talk about money at first glance
(57)How much does a small man earnI’ve never seen a single writer say that
(58)I’ve never done that
(59)I rarely talk about money during my work in Japan
(60)But sometimes, I don’t know how Korean writers make profits
(61)I don’t believe itYes
(62)Think about making 100 million won a month
(63)If you’re a writer who earns 100 million won a month, you’re a really famous writer in Japan
(64)Last year’s award was given to me. For writer Takao Saito, 3
(65)I think it’s that level
(66)There are not many writers like Saito Takao at Gorgo 13, which earns 100 million won a month
(67)But in Korea, it’s quite common for writers to earn that much
(68)If you say that, I don’t believe it
(69)Since I don’t believe in things that are beyond imagination, I’m talking about money
(70)Haber
(71)The conversation gets cut off there
(72)Three-line summary
(73)1 Korea is the only country in the world that gives 70 percent of profits to cartoonists
(74)This is NAVER’s warmth Japan is 10
(75)2 In Japan, if it’s not popular, I always cut it. Yes
(76)If there’s anyone watching, I’ll just serialize it
(77)There are few writers in Japan who earn more than 100 million won a month, but Korea is common